Introduction

The Panasonic G7 is another micro four-thirds installment to the companies backbone G series range. Initially released summer 2015, it replaces the previously released Panasonic G6. It inherits the same 16-megapixel Live MOS sensor and processor from its higher-end cousin the Panasonic GH4. In all respects, this camera is nearly identical to the Panasonic GX85 with the primary difference being form factor. Panasonic markets this as a hybrid camera that offers competitive performance for both photographers and videographers alike; one aimed to compete with Sony’s a5100 and a6000.

This camera has been touted as the “baby GH4,” offering similar performance with only minor reductions in contrast and saturation. Does the Panasonic G7 remain faithful to the original G series ideal, conveniently sized cameras that provide both capable performance and immense value their users? Is it a camera that’s even relevant years later as a satisfactory hybrid for the multimedia shooter? Today we dig up and dust off this long-overlooked Panasonic camera.

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What are some of the goods, bads, and the uglies of the Panasonic G7?

Pros:

Image Quality

Image quality is a particular strength of this camera, primarily because of the inherited image sensor from both the Panasonic GH4 and GX7.

Dynamic range is also excellent as well. Users can recover up to two stops of correction in post-production.

It has a 4K Burst mode that allows users to record a video using the central 8-megapixels of the sensor but delivers a burst frame rate of up to 30 FPS. The primary benefit from this mode, even though there’s a reduction in resolution, is that users can extract individual stills from this 4K burst. When shooting sports or action photography, timing is critical to capture the perfect moment. This feature makes timing an irrelevant component in these situations and allows users to focus on composition instead. Note: the recommended shutter speed to properly freeze action in this mode is 1/1000.

Video Quality

Video quality is excellent and comparable to Panasonic GH4 in both overall resolution and quality. 4K recording on this camera is outstanding, especially under adequate lighting conditions.

The camera also doesn’t suffer from rolling shutter.

It records 4K video at 30 FPS and 1080p video up to 60 FPS. Video recording time is maxed out at 29.59 minutes, which is the industry standard.

Video customization and settings are quite extensive, and users can adjust: saturation, contrast, noise reduction, and gamma curves (highlights and shadows) to their specific styles. Not only that, but they also have complete control over dynamic range. Overall, the menu is comprehensive and allows users to adjust videos for better post-production grading.

Low Light Performance

Low light performance is similar to the GH4. However, by the nature of this being a smaller micro four-thirds sensor, it is more susceptible to noise in low light and doesn’t perform as well as a similarly featured APS-C or digital SLR cameras in this regard. The camera has a native ISO range from ISO 200 to ISO 25,600, and while noise appears at ISO 3,200, the noise that appears on this camera looks akin to film grain and is a nice plus.

Display & Viewfinder

It has a live viewfinder (LVF) which is OLED and has a resolution of 2.3 million dots with100% coverage of the sensor. The addition of an LVF means that changes to settings and exposure get displayed in real-time.

It has a fully articulating 3” touchscreen LCD. This LCD has a resolution of 1.04 million dots and provides fantastic viewing even during bright sunlight conditions. The touch screen supports: touch focus, drag focus, touch to shoot, swiping during playback, and navigating the menus. Touch focus and touch drag work incredibly well, though are a bit sensitive to touch. Overall, the addition of an articulating touchscreen makes this camera the ideal choice for VLOGging or self-composed videos.

User Interface

It provides extensive customization and has a total of 11 function buttons that can be custom mapped via the settings menu. The quick menu is also customizable, further providing immediate access to typical shooting functionality. Overall, the user interface and menu layouts on this camera are superb. They’re a bit on the complicated side at first glance, but the level of customization available will significantly assist new users with locating desiring functions after initial familiarization.

Physical layout and ergonomics

Size and weight are defined strengths of the Panasonic G series, and this camera continues this tradition. It weighs 410 grams, approximately 0.9 pounds, which is compact considering the performance delivered in such a small package. While it’s a midsized body more analogous to a digital SLR and not tiny, the overall weight is quite low for its size.

The layout is good, and It feels solid with a good-sized front grip and thumb rest. The button layout is fantastic and well thought out, all routinely changed features and functions remain right at hand.

It offers a good number of physical control dials and provides a total of 11 custom function buttons which total to 58 selectable functions. In terms of customization to tailor it to your needs, it is fantastic and offers excellent guidance to help users identify these buttons.

Battery Performance

Battery performance is reasonable and provides 90 minutes of video recording and is rated to deliver 320 stills on a single charge. These figures are on par with the competition and are comparable to today’s standards for mirrorless cameras.

Niche features offered/Extras

It has a built-in flash.

The burst rate performance delivered is fantastic. When using the highest settings the mechanical shutter has a burst rate of 8 FPS, and the electronic shutter up to 40 FPS.

It has a built-in panorama mode.

It has an external microphone input port. Users can mount external microphones on its shoe mount as well.

It has a silent shutter mode.

It has manual focus peaking and built-in picture in picture, which, when combined, makes achieving critical focus with manual lenses incredibly easy.

It can display zebras for exposure clipping.

It has an internal 2x or 4x digital zoom and a 2x teleconverter.

It supports Wi-Fi remote control, which allows users to adjust both focus and exposure from a paired smartphone. Manual control works in both photo and video modes. The camera can also automatically transfer images, once enabled in the setup menu. Overall, this feature is a joy to use, and both its setup and interface are both straightforward.

It has a built-in RAW processing engine, which provides a wide range of adjustment options. This feature is perfect for users who lack the post-production software needed to make these adjustments at their leisure in post.

It has an incredibly vast selection of both native micro four-thirds and non-native lenses available for use. Users can even opt to purchase a lens adapter to increase their lens availability further. Otherwise, the Panasonic ecosystem will be far sufficient as they’ve contin

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